It’s interesting to watch William Gibson’s efforts to reinvent the cyberpunk genre, even if they’re not always rewarding. The problem, of course, is that nothing dates faster than a book about the near future. (Gibson himself has pointed out that no one in Neuromancer has a cell phone.) By bringing his setting closer and closer to the present day, he can stick to writing what he knows while still giving it a touch of his patented futurist color.
This is a fine enough idea, but unfortunately Gibson’s execution lacks whatever spark might make it work in practice. His own personal zeitgeist is just a little too eager, a little too agog with the possibilities of modern technology for my tastes. He has a bad habit of repeating himself, going over and over the same old ideas. And worst of all, in the case of Spook Country, he’s not above delivering a dull, flat little book. » More... » More »
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