I’ve had a little-worn copy of Eisner/Miller on my shelf for years. Published in 2005 by Dark Horse Comics, and to my knowledge never reprinted, it offers a dialogue between two respected cartoonists in the mold of François Truffaut’s celebrated conversations with Alfred Hitchcock. In this case, the pairing is of Will Eisner (best known for The Spirit) and Frank Miller (of Dark Knight Returns and Sin City fame).
I’d only read the book once since I bought it, 15 years ago. Considering later developments in both men’s lives, and in the American comic book business in general, I thought it deserved a second look. » More... »
I don’t read a lot of memoirs. None, really. I can get behind a good biography, and maybe even an autobiography, sometimes. But the idea of slogging through a few hundred pages of the self-important reminisces of someone gazing through the lens of their own nostalgia appeals to me about as much as being FedExed the plates from whatever they ate for dinner last night. But when I heard famous NSA whistleblower Edward Snowden had published such a book, my curiosity got the better of me and I picked up a copy. For the most part, it was worth it. 
What an odd bird is Rambo: Last Blood. I had to watch it—I’m an American male of a certain age, and I grew up with the Rambo character. But what this movie was, I’m not quite sure. (Also, I was one of three people in the theater, on opening Friday night at 7pm.)
If you stumbled across this article because of a web search, chances are you already know that Glenn Danzig (he of Misfits, Samhain, and his eponymous band) has made a movie. You probably know it’s called Verotika, and that it’s based on various works published by his comic book company of the same name. And you’ve probably heard it’s bad. Like, really bad. All these things are true.
I’ve long been a fan of Dario Argento’s 1977 horror flick Suspiria, and I’m certainly not alone. Among horror film aficionados, Suspiria is revered as much for its memorable cinematography and score as its ability to remain compelling despite having an almost nonsensical plot. So when the news came that a remake of this seminal Italian film was in the works, the natural question was, “Why?” 
This post is the second in a series of thoughts on my recent experiences as a journalist “embedded” within a tech-centric public relations agency. You can 
Seven years after its IPO, Google is entering the next phase of its growth as a company. It’s impressively large by anyone’s standards, with $29.3 billion in revenue in 2010, nearly 30,000 full-time employees, and offices in 42 countries. And yet Larry Page, now Google’s CEO for the first time since 2001, still seems to view the company as a cross between a startup and his old Stanford University grad project. It’s neither, and it faces difficult challenges. The legal environment around Google is tightening even as it goes head-to-head with the industry’s largest companies, and the changes it must make to remain competitive may mean tomorrow’s Google little resembles the fun-loving Silicon Valley darling of yesteryear. Read on for the rest of my analysis of 
