What an odd bird is Rambo: Last Blood. I had to watch it—I’m an American male of a certain age, and I grew up with the Rambo character. But what this movie was, I’m not quite sure. (Also, I was one of three people in the theater, on opening Friday night at 7pm.)
In a film by Balboa Productions, Sylvester Stallone returns to his other signature role as John Rambo. Even more so than the last outing, he lumbers into this fifth film in the series, looking chiseled but stiff at the ripe old age of 72 (at the time of filming). Yvette Monreal plays a damsel in distress who must eventually be avenged. Paz Vega plays a character who is unimportant. And the rest of the cast are basically indistinguishable, cardboard demon-men who must be shot, stabbed, dismembered, tortured, or blown up. » More... »
If you stumbled across this article because of a web search, chances are you already know that Glenn Danzig (he of Misfits, Samhain, and his eponymous band) has made a movie. You probably know it’s called Verotika, and that it’s based on various works published by his comic book company of the same name. And you’ve probably heard it’s bad. Like, really bad. All these things are true.
I’ve long been a fan of Dario Argento’s 1977 horror flick Suspiria, and I’m certainly not alone. Among horror film aficionados, Suspiria is revered as much for its memorable cinematography and score as its ability to remain compelling despite having an almost nonsensical plot. So when the news came that a remake of this seminal Italian film was in the works, the natural question was, “Why?”